Friday, August 4, 2017
Wednesday, August 2, 2017
100 Best Canadian Films – Paul Corupe
A hidden gem of Canadian film
scholarship: Canuxploitation! Your Complete Guide to Canadian B-Film.
If you’ve taken any undergrad Canadian cinema class you probably already know
that throughout the history of Canadian films there have been a lot of
documentaries, but it’s probably thanks to rep cinemas or friends (for
millennials that didn't live through this earlier period) that you would have discovered the grindhouse films of the
tax-shelter years or other more eccentric titles: The Silent Partner, Strange
Brew, Brain Candy, The Brood, Drying up the Streets, Black Christmas, Ginger
Snaps and so on (quite a few of these
that I saw for the first time at the Mayfair in Ottawa). And thanks to Canuxploitation! there’s a great immediate resource to read
more about them and discover similar titles. And I
need to thank Paul Corupe for contributing such an eclectic list, an alternative canon for Canadian cinema.
Paul founded the up-to-date Canuxploitation! site,
and has written on Canadian cinema in magazines like Rue Morgue and Take One, but perhaps an
even greater accomplishments are his script writing for the Bravo On Screen
series, which in each episode focused on
specific canonical Canadian titles, which includes Nobody Waved Good-bye,
Roadkill and Crime Wave (these really need to be released on DVD).
100 Best
Canadian Films is a series of personal
surveys of the history of Canadian cinema. Other lists includes those by David L. Pike, Jerry
White, André
Loiselle, Paul
Williams, Greg Klymkiw, Pat Mullen, Jason Anderson, Daniel Kremer, Yves Lever, Piers Handling, Marcel Jean, Mike Hoolboom and myself. – D.D.
***
Canuxploitation's
100 important Canadian films: Towards an Alternative Canon
- A Cool Sound from Hell (Furie, 1959)
- Across This Land with Stompin' Tom
Connors (Saxton, 1973)
- The Adventure of Faustus Bidgood (Jones and Jones, 1986)
- Adulterous Affair (Leversuch, 1966)
- Amanita Pestilens (Bonnière, 1963)
- American Nightmare (McBrearty, 1983)
- Back in Action (Ziller, 1993)
- Bambi Meets Godzilla (Newland, 1974)
- Beyond the Black Rainbow (Cosmatos, 2010)
- Beyond the Seventh Door (Benedikt, 1987)
- Big Meat Eater (Windsor,
1982)
- Blood and Guts (Lynch, 1978)
- Black Christmas (Clark. 1974)
- Blackout (Matalon, 1978)
- The Bounty Hunters (Pischiutta, 1985)
- Brain Candy (Makin, 1996)
- Breaking Point (Clark, 1976)
- The Brood (Cronenberg, 1979)
- The Canadian Conspiracy (Boyd, 1985)
- The Changeling (Medak, 1980)
- Class of 1984 (Lester, 1982)
- Comic Book Confidential (Mann, 1988)
- Corpse Eaters (Passmore and Vetter, 1974)
- Crime Wave (Paizs, 1985)
- Cross Country (Lynch, 1983)
- Cube (Natali, 1997)
- Deadline (Azzopardi, 1981)
- Death Weekend (Fruet, 1976)
- Deathdream (Clark, 1972)
- Deranged (Gillen, 1974)
- Diary of a Sinner (Hunt, 1974)
- Deux Femmes en Or (Fournier, 1970)
- Downtime (Hanec, 1985)
- Dragon Hunt (Wiener, 1990)
- Drying Up the Streets (Spry, 1978)
- East End Hustle (Vitale, 1976)
- Elvis Gratton (Falardeau and Poulin, 1981)
- FUBAR (Dowse, 2002)
- The Gate (Takacs, 1987)
- Gina (Arcand, 1974)
- La guerre des tuques (Mélançon, 1984)
- Heartaches (Shebib, 1981)
- Heavenly Bodies (Dane, 1984)
- Hell Bent (Kozak, 1994)
- High Ballin' (Carter, 1978)
- H.I.Z.: Erection Der Zombie (Kennedy and Sweeney, 2007)
- Hobo With a Shotgun (Eisener, 2011)
- Hookers on Davie (Cole and Dale, 1984)
- Hot Wheels (McBrearty, 1979)
- Ilsa, She Wolf of the SS (Edmonds, 1975)
- Ilsa the Tigress of Siberia (Lafleur, 1977)
- Ivy League Killers (Davidson, 1959)
- IXE-13 (Godbout, 1971)
- Jacob Two-Two Meets the Hooded Fang (Flicker, 1978)
- Kubasa in a Glass: the Fetishised
Winnipeg TV Commercial 1976-1992
(L'Atelier national du Manitoba, 2006)
- The Last Pogo (Brunton, 1978)
- The Little Girl who Lived Down the Lane (Gessner, 1976)
- Loving and Laughing (Sone, 1971)
- The Mask (Roffman, 1961)
- Metal Messiah (Takacs, 1978)
- Midnight Matinee (Martin, 1988)
- Mindfield (Lord, 1989)
- Mondo Nude (Tudhope, 1979)
- Montreal Main (Vitale, 1974)
- My Bloody Valentine (Mihalka, 1981)
- Mysterious Moon Men of Canada (Brunton, 1988)
- Naked Flame (Matlansky, 1964)
- Oddballs (Lente, 1984)
- Parents (Balaban, 1989)
- The Peanut Butter Solution (Rubbo, 1985)
- Pin: A Plastic Nightmare (Stern, 1989)
- Porky’s (Clark, 1981)
- Project Grizzly (Lynch, 1996)
- Recommendation for Mercy (Markowitz, 1976)
- Rituals (Carter, 1979)
- Rock 'N' Roll Nightmare (Fasano, 1987)
- Rock and Rule (Smith, 1983)
- Safety or Slaughter? (Crawley, 1958)
- Satan’s Choice (Shebib, 1965)
- Scanners (Cronenberg, 1981)
- Science Crazed (Switzer, 1989)
- Sexcula (Hollowich, 1974)
- Shivers (Cronenberg, 1975)
- Shoot (Hart, 1976)
- Siege (Donovan,
1982)
- The Silent Partner (Duke, 1979)
- Sins of the Fathers (Rosen and Jarvis, 1949)
- Sissy Boy Slap Party (Maddin, 2004)
- Skip Tracer (Dalen, 1977)
- Social Acceptability (Crawley, 1957)
- Springtime in Greenland (Paizs, 1981)
- Strange Shadows in an Empty Room (De Martino, 1976)
- The Suburbanators (Burns, 1995)
- Sudden Fury (Damude, 1975)
- Things (Jordan, 1989)
- Tomorrow Never Comes (Collinson, 1978)
- Top Of The Food Chain (Paizs, 1999)
- Valérie (Heroux, 1969)
- Vengeance is Mine (Trent, 1976)
- Wrestling Queen (Vallely, 1973)
Wednesday, July 19, 2017
Sunday, July 16, 2017
100 Best Canadian Films – David L. Pike
David L. Pike is the
author of the great book Canadian
Cinema Since the 1980s (you can read a
good review of it by Steve Gravestock in Cinema Scope issue 54) and he provided a short introduction that puts the list in
context. This 100 Best Canadians Films
series, along with the qualifiers that Pike mentions, can also be seen as
personalized versions of the more institutional Canada on Screen list, which screenings have been really exciting.
By asking participants to provide one-hundred titles I hope that more off-beat,
eccentric and less ‘official’ titles find a place in the canon. As well I hope
to provide an image of what an in-depth Canadian cinema cinephilia would look
like.
Other 100 Best
Canadian Films lists includes those by Jerry White, André
Loiselle, Paul
Williams, Greg Klymkiw, Pat Mullen, Jason Anderson, Daniel Kremer, Yves Lever, Piers Handling, Marcel Jean, Mike Hoolboom and myself. – D.D.
***
As befits my critical
stance as an American parasitizing Canadian cinema, most of my list is culled
from the ones already posted on Toronto Film Review. I have attempted to triangulate the three
overlapping but not quite identical selection criteria requested at various
places on the blog (“100 titles important to Canadian film history”; “lists by
film critics and scholars on their personal, subjective favorite films (or
shows!) that have been made here in this country”; “100 Best Canadian Films”)
while mostly sticking to the generous selection criteria. My list includes
around a dozen shorts, so I have arbitrarily counted them two for one to make
my 106 look a little more like an even 100. Because I will be sharing this list
with my students, I have also included links to NFB/ONF and YouTube. – D.L.P.
David L. Pike’s 106 Best Canadian FIlms
3. La petite Aurore, l’enfant martyre (Jean-Yves Bigras,
1951)
8. À tout prendre (Claude Jutra, 1963)
15. Isabel
(Paul Almond, 1968)
21. La vraie nature de Bernadette
(Gilles Carle, 1972)
22. Wedding
in White (William Fruet, 1972)
23. Les dernières fiançailles
(Jean Pierre Lefebvre, 1973)
26. Les
Ordres (Michel Brault, 1974)
29. La Tête de Normande St-Onge
(Gilles Carle, 1975)
33. Les Bons débarras
(Francis Mankiewicz, 1980)
35. My
Bloody Valentine
(George Mihalka, 1981)
36. The
Grey Fox (Philip Borsos, 1982)
37. Videodrome (David Cronenberg, 1982)
39. Ghostbusters (Ivan Reitman, 1984)*
40. Sonatine (Micheline Lanctôt, 1984)
41. My
American Cousin
(Sandy Wilson, 1985)
42. Le déclin de l’empire américain
(Denys Arcand, 1986)
43. I’ve
Heard the Mermaids Singing
(Patricia Rozema, 1987)
44. Life
Classes (William D.
MacGillivray, 1987)
45. Un zoo, la nuit (Jean-Claude
Lauzon, 1987)
47. Dead Ringers (David Cronenberg,
1988)
48. Roadkill
(Bruce McDonald, 1989)
49. Jésus de Montréal
(Denys Arcand, 1989)
50. Next
of Kin (Atom Edoyan, 1989)
51. Les noces de papier (Michel
Brault, 1989)
52. Archangel (Guy Maddin, 1990)
53. The Company
of Strangers (Cynthia Scott, 1990)
54. Masala (Srinivas Krishna,
1991)
55. Careful (Guy Maddin, 1992)
56. Highway
61 (Bruce McDonald,
1992)
57. Léolo (Jean-Claude Lauzon, 1992)
58. Calendar (Atom Egoyan, 1993)
60. Thirty-Two Short Films about Glenn
Gould (François Girard, 1993)
61. Zero
Patience (John Greyson, 1993)
62. Double
Happiness (Mina Shum, 1994)
63. Eclipse (Jeremy Podeswa,
1994)
64. Exotica (Atom Egoyan, 1994)
65. Le confessional (1995, Robert Lepage)
66. Dead
Man (Jim Jarmusch, 1995)
67. Rude (Clement Virgo, 1995)
68. When
Night Is Falling
(Patricia Rozema, 1995)
69. Crash (David Cronenberg, 1996)
70. Fire
(Deepa Mehta, 1996)
71. Hard
Core Logo (Bruce McDonald,
1996)
72. Kissed
(1996, Lynn
Stopkewich)
73. Cube
(Vincenzo Natali,
1997)
74. The
Hanging Garden
(Thom Fitzgerald, 1997)
75. The
Sweet Hereafter
(Atom Egoyan, 1997)
77. Emporte-moi (1999, Léa Pool)
78. Last
Night (Don McKellar, 1999)
79. New
Waterford Girl
(Allan Moyle, 1999)
80. Ginger
Snaps (John Fawcett, 2000)
83. Maelström
(2000, Denis
Villeneuve)
84. Waydowntown (Gary Burns, 2000)
85. Atanarjuat: The Fast Runner
(Zacharias Kunuk, 2001)
86. Last
Wedding (Bruce Sweeney, 2001)
87. Bollywood/Hollywood (Deepa Mehta, 2002)
88. FUBAR (Mike Dowse, 2002)
89. La face cachée de la lune
(2003, Robert Lepage)
90. La grande séduction
(Jean-François Pouliot, 2003)
91. Les Invasions barbares
(Denys Arcand, 2003)
92. Stryker (Noam Gonick, 2004)
93. C.R.A.Z.Y. (Jean-Marc Vallée,
2005)
94. A
History of Violence
(David Cronenberg, 2005)
95. Water
(Deepa Mehta, 2005)
96. Away
from Her (Sarah Polley, 2007)
97. Eastern Promises
(David Cronenberg, 2007)
98. My
Winnipeg (Guy Maddin, 2007)
99. Frozen River
(Courtney Hunt, 2008)
100.
Pontypool (Bruce McDonal, 2008)
101.
Polytechnique (2009, Denis Villeneuve)
102.
Incendies (Denis Villeneuve, 2010)
103.
Monsieur Lazhar (2011, Philippe Falardeau)
104.
Stories We Tell (Sarah Polley, 2012)
105.
Orphan Black, season 1 (Graeme Manson and John Fawcett,
2013)
106.
Arrival (Denis Villeneuve, 2016)
* In honor of Geoff
Pevere
Subscribe to:
Posts (Atom)
