A
unique experience in Canadian cinema, Erik Anderson's newest feature to get a
public screening is impressive for its liberty and vulnerability. Just like
Rebeccah Love’s Acres from last year,
My Thesis Film: A Thesis Film by Erik Anderson, with its
uncharacteristic lengthy running time of nearly four hours, reorients the traditional
length onto its own narrative terms. When the aesthetic norm for first
time and second features is either an ascetic formalism or a social naturalism (usually
due to film festival imperatives), Anderson's film impresses in its ability to
successfully entertain and
captivate, to make you think and laugh. And even though its duration is lengthy,
it never feels long as through its character’s excitement and vulnerability it
is able to capture a thoughtfulness, pleasure and doubt. And this is
especially redeeming as the indie feature norm seems to be to oppress or to
bore, that is if they are even properly made or dramatic. But thankfully My Thesis Film bypasses these shortcomings
as it is surprisingly well acted, stylistically polished, entertaining and most
importantly funny.
My
Thesis Film is about struggling to
find your place – for Erik in Toronto, trying to complete his thesis film – but
it does so with a lightness and a melancholy. Though the narrative is obviously
fictionalized it still seems closer to a self-portrait for Anderson as, having
known him over the years, I can attest that he has really put a lot of himself into
his film, let alone that he stars in it and that he’s the one experiencing
these re-enactments. My Thesis Film
does a really good job at capturing a distinct experience of Toronto from the
perspective of a grad student in film production, which in this case is at York
University. It captures the bond between friends, interpersonal debate and
conflict about representation in the arts, and feelings of insecurity
experienced in these settings. It’s a quite distinct experience of the city,
which isn’t always welcoming. But it does so with a humour that comes from an
awkwardness in the addressing of these prickly topics that would make any fans
of Seinfeld or Curb
Your Enthusiasm both smile and cringe.
There is its prologue Plato's Republic: Book 1 that sets the rhythm and tone to
the film. It is a modern day adaptation of a discourse on justice from Plato’s Republic.
Anderson, in the lead role, surprises in terms of his acting and his range of
emotions. But what’s especially noteworthy is the film’s dialogues. Words pop,
language is nuanced and thoughtful, and most conversations progress as if all
of these characters have spent years in the debate club. The character types are
all different and have these well-defined personalities that provides the richness of
the mosaic of voices and perspectives of this milieu. And there’s a naturalness
and articulateness to all of them, which provides a more realistic portrait of
a certain young educated class in Toronto more so than the inarticulateness of so many other Canadian low budget features. And their wit and opposing views is
also the source of the film’s humour.
Following the Plato prologue, My Thesis Film progresses through three different
chapters: Chapter 1. Erik arrives to Toronto from Montreal to start his MFA at
York. There he starts to question his idea for his thesis film as he encounters
overwhelming critiques in regards to gender parity and diversity. Throughout
the year he spends a lot of time with his friends Fernando and Gary (played by Juan Arce and Franco Nguyen) while they
start encountering other types that would be recognizable for anyone that has
gone through a film studies degree: there is the brash young filmmaker who just
got his first film into Slamdance, an esteemed Mexican filmmaker who is known
for his 'slow' films, and the militant feminist and the spiritual hippie, among some others. The first
year is a struggle for Erik and afterwards, as he didn’t receive any financial
support, he's forced to return to his mother's in Victoria to spend the summer.
Chapter 2. This is a sad summer for Erik as he starts to take on menial tasks
to make a living – including, and even failing at, being a barista – and where,
however well intentioned his mother, aunt and her husband try to be, they are
actually not that encouraging. But Erik finally returns to Toronto, hopeful
that it'll be a better year, but that is still to be determined. Chapter 3. After
struggling with his Plato adaptation to take off, through a discussion with his
best friend, he decides to incorporate his initial idea into a making-of of
a making-of of his film. And there he finds success, well
sort-of, at least he completes it before he has to go through a lengthy critique.
With My
Thesis Film and Calvin Thomas, Yonah and Lev Lewis’s Spice It Up, another new Toronto film that had a fraught
production history, it appears that the new generation of local filmmakers, which have started making work around 2010, are starting
to be more explicit about the challenges of creation and getting programmed in this city. This reflexive tendencies tends to be more funny
than dour and recalls something like Luc Moullet’s Les Sièges de l'Alcazar meets the CBC. It’s very interesting and I highly recommend both of these films if you have a chance to see them. Spice It Up is about a young woman
filmmaker who also arrives to Toronto from out of town to complete her thesis
film and that also has some shades of ancient Greek philosophy, though for her she is studying at
Ryerson. In it you can find the local film critic Adam Nayman
(after his small role earlier on this year in Fail to Appear) as a film professor giving his students advice and
feedback that sounds just like he does in person. Matt Johnson also has a
surprising small role in it as a playful and lewd photographer.
So with both My Thesis
Film and Spice It Up a new landscape and geography of
the city emerges and with that different characters and ways of being and
talking. The freedom of these works, and
especially of My Thesis Film, is that it elides conventional
filmmaking trappings, and there's also a sense or urgency and necessity
at play. Anderson talks about My Thesis
Film as being thought out and conceived over a five year period and that it
was made with the barest of crews (usually one or two people) and without any
of the usual arts grants or funding. It's this necessity of creation, vulnerability
of representation and the pulling off of the project that makes it so admirable. My Thesis Film
is a great model for all struggling filmmakers.
It will be a real shame if it does
not get more then the only two screenings that it has received so far.
