Not to be too glib, but one gets the feeling that if you’re a young Canadian filmmaker wanting to make a mark, there’s almost something of an algorithm to follow. Simply make a film in the mould of the Dardennes Brothers or Michael Haneke, then expect a few festival appearances followed by polite word from local press desperate for a thriving Canadian art cinema.
And this is not to say that many fine films aren’t being produced in this tradition, but is it not a little depressing to find a certain mix of naturalism and cynicism as the standard for Canadian film? That’s why with its latest screening, Toronto Film Review is shining a light on recent films (well, dating back to 2012 in some cases) that have shown a strong inclination towards a wholly different cinema.
While the eights films on display in this program wildly vary in scope and resources, they’re undeniably all exciting. Many of them taking place in less glamorous corners, be they cramped apartments, dank city streets or hellishly cold landscapes, the overriding theme of the works could seem like yet more variations on millennial despair. Yet they’re filtered through utterly unique visions that don’t rely on mundanity as a crutch. That being said, they render a Canada that’s highly recognizable to this writer, meaning quite fucking strange. - Ethan Vestby
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2 comments:
many fine films?
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