Showing posts with label Café eX. Show all posts
Showing posts with label Café eX. Show all posts

Thursday, April 29, 2010

Café Ex: Winnipeg Nostalgia

Memory Work: The Films of Cecilia Araneda (Cecilia Araneda, 1998 - 2010)
**** (Masterpiece) *Director in Attendance


(Club SAW, Café Ex, 67 Nicholas Street, April 29th 7:30PM)

Tuesday, February 2, 2010

Toronto Experimental Cinema

The World Viewed (Chris Kennedy, 2003-2006)
**** (Masterpiece)


(Club SAW, Café Ex, 67 Nicholas Street, February 4th 7:30PM)

Friday, January 29, 2010

Quality and Quantity February and the Double Bill at the Mayfair

February Film Listings

Bytowne Cinema
Groundhog Day (Harold Ramis, 1993) 01/02 & 02/02.
Antichrist (Lars Von Trier, 2009) 05/02 - 09/02.
Vertigo (Alfred Hitchcock, 1958) 07/02 & 08/02.
The White Ribbon (Michael Haneke, 2009) 19/02 - 28/02.

Café Ex
The World Viewed (Chris Kennedy, 2003-2006) 04/02.

Canadian Film Institute
All Fall Down (Philip Hoffman, 2009) 13/02.
Polytechnique (Denis Villeneuve, 2009) 20/02.

The Mayfair Theatre
Black Caesar (Larry Cohen, 1973) 06/02.
The Sexy Film Festival (?, ?) 12/02.
Casablance (Michael Curtiz, 1942) 14/02 & 15/02.
Play It Again, Sam (Herbert Ross, 1972) 14/02 & 15/02.
Invictus (Clint Eastwood, 2009) 19/02 - 21/02, 24/02 & 25/02.
Fantastic Mr. Fox (Wes Anderson, 2009) 20/02 - 23/02.
The Darjeeling Limited (Wes Anderson, 2007) 23/02.
Antichrist (Lars Von Trier, 2009) 24/02 & 25/02.
Some Like It Hot (Billy Wilder, 1959) 27/02 & 28/02.

Friday, November 6, 2009

Montreal Experimental Cinema

Alchemical Illumination (Double Negative Collective, 2004-2009)
*** (A Must-See)


The Double Negative Collective has been a fluctuating group of experimental filmmakers who reside in Montreal. Scott Birdwise the programmer at the CFI organized another Café eX event of experimental cinema which was a unique experience and produced a particular state of mind in a community setting.

The collective works were very strong but I want to single out one candidate whose work had the most gloss and polish. A remarkable sight and sound virtuoso Daïchi Saïto's two of his seven short films played. They were dazzling symposiums of images and noises and their pacing left one out of breath. All That Rises (2007) a seven minute film juxtaposing footage from an alleyway with a black screen focuses on what is shown and consequently with what isn't. The manufactured and urban setting of the latter is a contrast to Trees of Syntax, Leaves of Axis (2009). An evolved ten minute work in a tranquil forest setting the film is both a return to nature and a colorful painting of light. With Malcolm Goldstein contrapuntal score these works were very compelling. Through Daïchi's collisions of images and rapid-fire editing these two screenings provided visceral pleasures similarly associated with other long-take deconstructionist such as Guy Maddin and Sergei Eisenstein.-David Davidson

(Club SAW, Café eX, 67 Nicholas Street, November 5th)