Exciting news! The Toronto-based film magazine Cinema Scope held its first public
screening of its current cover-issue film Lewis
Klahr’s Sixty Six (which is reviewed
by Jordan Cronk in the issue) on Tuesday, May 24th. Cinema
Scope has always been visible in the city with its issues in the good
magazine stores, some of its critics being public film figures (regularly
introducing films or moderating panels or director interviews), and a regular booth at Word On The Street and mutually
beneficial sponsorship screenings at the Images Festival and the Cinematheque. But with this new series, by its managing editor Andrew Tracy and regular
contributor and projectionist Sean Rogers, it’s taking further steps to make
the city its more visible physical home. This is instead of its critics, programmers and fellow filmmakers and comrades being more spread
out and disperse throughout the world and the internet. This new Cinema Scope screening series is not the only
exciting screening series in the city – the MDFF screening on Sunday of Matt Porterfield’s
Take What You Can Carry, also comes
to mind – but these type of special events help remedy some of the major
distribution and exhibition problems plaguing the world of art and independent film. Once the problems are identified and with Cinema Scope the exciting new films apparent then there can be the emergence of these micro-network showcases to best be able to see the work of these artists and their images of the world. Everybody wins.
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