Eagles fly overhead,
guarding their nests with extreme jealousy. These are some of the most dangerous, yet beautiful animals on Earth;
their wings stretch into the distance, and their talons are sharper than
scissors. Such beautiful creatures are
elegant, destructive and fascinating; beings to admire from afar. So, how is it that for centuries, native
people from the wilds of Kazakhstan have trained eagles to hunt for them? In Otto Bell's film The Eagle Huntress,
we are treated to a detailed account of the methods used, and the way eagle
hunters take advantage of eagle's natural instincts to create a partnership
that is beneficial for the interests of both humans and eagles.
The focus of The Eagle Huntress
is one particular eagle trainer; a passionate 13-year-old girl named
Aisholpan. (At least, she was 13 years
old during most of the filming.) As soon
as she sees any eagle, a change comes over her eyes; she sees life, beauty, and
magnificence. She interacts with her
father's eagle with the same natural ease as if it were one of her own two
siblings; later in the film, when she catches and trains her own eagle, it is
as though she is dealing with a child of her own.
Aisholpan and her eagle have natural
chemistry. It is amazing to watch her
call to her eagle and ride horseback with bait, and to see the love in her eyes
when the eagle catches the bait. Similarly, when she is the one releasing the eagle from a cliff top, she
watches closely, with great affection and determination, as the eagle finds
bait quickly.
Judged eagle hunting contests take
place every year in a central Kazakhstan city, and one of Aisholpan's greatest
desires to take part in a competition. Technically, Aisholpan doesn't have to take part in any competition in
order to be an eagle hunter, but she sees it as a chance to prove her worth to
the community as a whole, and as a way of challenging herself. She also thinks it will help her eagle become
a more confident hunter in a real situation. There is also another issue; one that she never directly comments on,
but one that has deeper implications not only for her interest in eagle
hunting, but on the eagle hunting community as a whole. Eagle hunting in Kazahk society is seen as a
profession for men only. Men find the
food, women cook the food and take care of the house. No exceptions.
Due to her love for eagle hunting,
many see Aisholpan as an anomaly at best, so when Aisholpan aces the
competition there is a certain amount of disbelief. There must have been people outside
Aisholpan's family, friends and circle of acquaintances who approved of her
entry into the trials. However, we don't hear from them because of the
requirements of the film's narrative. The
idea that a female could perform so well at the eagle hunting trials is not only
an affront to certain tribal elders' ideals, it is also an example of cognitive
dissonance. The elders who heard the news (and believed it) reacted mostly with
stunned silence, although one suggested that the judges went easy on her
because she was female. The idea that
any female could perform at such a high level is astonishing to them, even when
the proof is in front of their faces. Aisholpan herself doesn't care either way; she performed the trials, she
got her scores, and now she's comfortable taking her eagle to the wild and
hunting for real.
In this amazing documentary, we get
to see Aisholpan evolve from eagle training neophyte to confident hunter,
regardless of the biases of the society she lives in. She stands atop a cliff with her eagle, in
search of prey, and watches with pride as her eagle soars.
Oded Aronson
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